SAGA Articles

Dr Glenn F Benge Hands On, An Exhibition of Hand-Pulled, Non-Digital Prints Projects Gallery, 629 N. 2nd Street, Philadelphia, PA 19123. Februay 3 – 25, 2012
Florence Putterman Florence Putterman - 2010 Society of American Graphic Artists Lifetime Achievement Award Florence Putterman - An Artist Who Always Walks the Walk
Charles Kaufman Evan Lindquist Evan Lindquist - the Artist, his Process and Influence
Shelley Thorstensen With a Capital P Text of a lecture presented at Selby Gallery, Ringling School of Art in Sarasota, Florida. SAGAzine, Fall/Winter 2007
Shelley Thorstensen Holding the Line - the Discipline of the Discipline SAGAzine, Winter 2006
Richard Dorian Krishna's Cosmos: The Creativity of an Artist, Sculptor and Teacher by Ratnottama Sengupta. SAGAzine, Winter 2006
William Behnken, NA About SAGA SAGAzine, Fall 2004
Richard Dorian Intaglio Simultaneous Color Printmaking: Significance of Materials and Processes, by N. Krishna Reddy Significance of Materials and Processes. SAGAzine, Fall 2004
Ellen Singer Making Woodblock Prints SAGAzine, Fall 2004
Diane Maytas New Print Studios at Sailors' Snug Harbor SAGAzine, Fall 2004
Barbara Minton Gerson Leiber: A Major Retrospective SAGAzine, Fall 2004
Evan Lindquist The SAGA web site SAGAzine, Winter 2004
Roberta Waddell Resources: Print Collection of The New York Public Library SAGAzine, June 2003
William Stolpin Registration Technique Suitable for Silkscreen and Relief Prints SAGAzine, June 2003
Richard Sloat What Is An Original Print? SAGAzine, June 2003. Including response from Evelyn Domjan, Roy Drasites, Dennis Revitzky from SAGAzine, Winter, 2004
Shelley Thorstensen Resonance: The Mezzotints of Carol Wax at the Noble Maritime Collection SAGAzine, June 2003
Beauvais Lyons The Cerebral Versus the Retinal in Printmaking Date of Publication: September 2, 1999

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